Gardiner’s Quilt Shop

Several states away from Ginger’s Quilt Shoppe is Gardiner’s Quilt Shop.  My mom and I went out one morning for some girls shopping, and after we did the errands she said she knew of a place I might like to visit.  My mom really loves me!

Gardiner’s Sew and Quilt  •  3789 Wall Ave, Ogden, UT 84405, near the Newgate Mall

Before I turn you loose on the slideshow, it should be said that this unassuming facade houses a fabulous selection of fabric.  I know I sometimes sound like a shill for these quilt shops, but the local quilt shops are very important to me–even if they are in my mother’s hometown.  By frequenting these, we help keep the industry alive and kicking, plus we get to see and handle all those luscious fabrics.

I was quite impressed with the range of lines they carried, from Riley Blake to Amy Butler and many inbetween.  Gardiner’s has a great display of quilts showing ideas for how to use their fabrics, and they are fresh and new and make you want to get a few fat quarters. . . or yards.  Here’s the two ladies who helped me. . . and told me about Ginger’s Quilt Shoppe, too.  By the way, I apologize for the quality of the photos, as I only had my cellphone.

One shot in the slideshow is from above.  They have an upstairs with all their sale fabric, but I must admit I had more fun downstairs with the regular goods.  In one picture you’ll see sewing machines, and next to them is a wall of cubbies holding quilts for sale.  So smart to sell all the displays afterwards–good for those who don’t want to make a quilt, but want to have one on their bed.

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Ginger’s Quilt Shoppe

Ginger’s Quilt Shoppe is about 30 minutes from my house, and that’s the place I went to when I was agonizing over what to put in Scrappy Stars to finish it off.  While I love online shopping, there’s nothing like a brick-and-mortar shop.  The address is 1120 Dewey Way, Suite B in Upland California.

The phone number is on the door, and the place is well-marked.

The first order of business was to get a bunch of bolts of fabric to try out my stars.  The lady who helped me was VERY cheerful about this, and made the final suggestion:

I loved the linen look of this fabric and was really happy with it.  After we settled on that, I picked a couple of more fabrics “for the stash,” then got her permission to roam around the shop and take photos for this blog.  As you can see, they have a lot of batiks, a well-stocked notion and pattern section, cute decor and a big room with a long-arm.  I haven’t been there enough to know the ins and outs of the shop, but my friend Tracy is a fan, and if she’s a fan–it’s a good place.  And interestingly enough, when I went to Utah to see my mom and went to her local quilt shop, one of the women who worked there, knew of Ginger’s and went on and on about it.  I’ll need to return–and soon!  (We do have a Quilter’s Run/Shop Hop coming up this summer.)

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Gingham on my Mind

Well, I have gingham on my mind, but other things too.

Like these three grandsons of mine who showed up for the weekend.

Like this stack of papers who arrived on Wednesday and are Still Here.  (Definitely a work in progress.)  (Right now I’m taking a break.)

But this one is somewhere in between there and here, in terms of Works In Progress.  Here I’m sewing the borders on, but I finished (yay!) and it’s at the quilter’s right now, getting all stitched up.

Here’s some gingham things I’ve found while trolling the net. . . a book.  Is it me, or does that person they identify as “Jakie Kennedy” NOT look like Jacquie Kennedy?

I think the heel has some sparklies that move around.  Talk about elevating gingham beyond where it should go.

This is what I look like when I grade papers.  Ewwww!
However, her shirt is cute, don’t you think?  Love the covered buttons.

Now head over to Freshly Pieced to see what Lee’s got on her mind, at WIP Wednesday.

Gingham Fabrics

I know Krista and I scored a bunch of vintage ginghams at a garage sale, but I was curious to see if I could still buy them commercially.

Yep.  JoAnn’s had them in the “homespun” section, along the wall.  They had a range of large to small checks, even micro-checks measuring 1/8″ inch.  I hope you’re not wanting an exotic color or anything.

Fiber content: I have been used to ginghams in the 50-50 range, but this one is 65% polyester-35% cotton.  What this means is that is has a bit different hand, or how the cloth feels when you touch it.  The polyester, since it is over 50%, will be dominant, so the surface will have more of a commercial feel, rather than a homemade feel.  It will be more wrinkle-free, and probably won’t shrink at all.  The colors most likely will not run or bleed, so you can combine any combo you want.  No need to pre-wash this either, as the character of the fabric won’t change much.  It will wear like iron.  I once made a dress out of gingham–it was a Betsey Johnson Vogue pattern, way back in the 1970s on Betsey Johnson’s first go-round. Because this is more poly than cotton, the drape will be finer and the fabric will feel a little lighter-weight.  I say all this not to scare you off, but to reassure you that when you take the fabric in hand and touch it, what you are feeling is normal especially if you have been sewing with only cotton.  As far as the China part, over 90% of the world’s clothing and textiles and thread and trims comes via China.  As quilters, we’re more used to Japan for thread and fabrics.

I saw an apron done by my mother-in-law with chicken-scratch embroidery on it.  I guess I could have ironed it to show you, but I just pulled it out of an old sewing basket up on top of my armoire.

This is how far I got–the square of gingham cut out, the embroidery half-way across.  Add this to list of Things To Do When I Retire.

Doesn’t gingham just remind you of days gone past?  It has such a timeless quality and that’s why I suggested to Krista that we try to use up our little find by combing it with some Kona White or something and seeing where it goes.  Some times it’s interesting to get an idea and explore it, without a pattern or pre-determined place to arrive.

You can buy gingham-look-alike fabric.  This one’s from an Etsy shop online (I did a search for gingham and Denise Schmidt, as this is her fabric line.)  But the unique quality of gingham is the fact that it is yarn-dyed, and that the plaid is made from the white threads crossing the colored threads.  I much prefer that to printed ginghams.

Luckily for you, Robert Kaufman has yarn-dyed ginghams listed on their website, and it looks like you can order directly from them.

I also found these at Fabric.com–look for the Carolina Gingham fabric, as it is yarn-dyed, and that’s what you want if you are looking for a true gingham.

Friday Finishing School–This and That

I’m almost done with the quilt blocks I’m not yet revealing, keeping it under wraps for a variety of reasons.  Soon, soon. I have this tiny little window of quilting before the research papers hit (I know I keep talking about them–all English teachers dread this particular paper because they are so time-consuming to grade).  So count this for my Friday Finishing School, a project I take up now and again.

American cover on the left; British cover on the right

While I cut and sewed, I listened to The Sense of an Ending, by Julian Barnes, a British author who has written twelve previous novels.  This is another gift from my mother–she decided to start listening to audiobooks, and I signed us up for an Audible account.  She chooses the books, and when I was there last weekend, we downloaded four new ones, The Sense of an Ending being one of them.  I liked this book because it’s written from the viewpoint of an older man, reviewing his life.  While I listened, I could see some of myself in the portrayal, then some of my father, who is 86 and still painting up a storm.  But at the end, I only saw the character and the sense of his ending–the life he is left with after decades of choosing to be “peaceable.”  Note: the younger self of the main character in the novel seems obsessed with sex when he’s at college, if that sort of thing makes you squirm.  But it does all fit into the picture expertly drawn by Julian Barnes, who won the Man Booker Prize for this novel last year–equivalent to our National Book Award.

My mother and I have also listened to Penelope Lively’s novel, How It All Began, about an older woman (do you see a theme here?) who is injured in a mugging (that occurs offstage and is not violent–a purse-snatching).  The novel examines how many lives are affected by this act, and Lively draws an entertaining group that react to the “Butterfly Effect” of the main character’s injury and recovery.  I remember in grad school how I read umpteen books about young people’s coming of age, that shifting tectonic plate between leaving home and settling into a life.  I got soooo tired of all the sexual angst–not that it wasn’t real, but a steady diet of one facet of life’s prism can be wearying.  As an older student I often wondered where the novel was that spoke to my life, the novel that I could emulate?  I seem to have found the mature, nuanced view in several British novels, and I’ve enjoyed them immensely.

A quilt cartoon for you.  I smiled when I saw the cartoonist’s version of a quilt.

More This and That: This is the shot of a bolt end of Thermolam Plus–the stuff I have up on my pin wall.  It looks like quilt batting, but it’s not.  A friend was asking me about how I built my pin wall: 2 sheets of 1/2″ foam core art board taped side by side, covered with gridded flannel (I wrapped this to the back and stapled in place using really short staples, then covered that with tape.  I then affixed it to my wall by using door jamb covers–long rounded metallic bars, each about six feet in length.  I used four: two for each side, top and bottom).  Over that, I layered this Thermolam Plus, using straight pins to anchor it into place.  The fabric really sticks to it–like magic, and when it gets all thready, use one of those sticky roller things that is used to clean off clothes.

Anyone interested in my scraps from Scrappy Stars?  They are not really big pieces–mostly 8″ or less in odd shapes, but they are a range of reds, with some coordinating accents.  They’ll fit neatly into an envelope and I can mail them off to you.  Let me know in the comments.

And if you are interested in making the Scrappy Stars, I have about twelve of the vellum sheets with the diamond paper-piecing pattern on it.  I can mail those to you, too.  I was going to just file away the sheets, but I noticed that a couple of you are going to try making this quilt, and I thought you might like these.  Again, leave a comment and I’ll be in touch.  You’ll need six sheets for every star, so this stack will make two stars.  I guess you could just make the front and back of a pillow; the star finishes at about 16-20,” depending on which way you orient it.  They are Big and Bold–lots of fun to make.  And use a fabric that reads “solid” for the setting diamonds–save yourself some quilting angst!

Today I’m going to finish up the quilt top mentioned at the beginning, because I want to get it over to my quilter.  Since I don’t want to start another book (which will leave me wondering what’s happening and I have to grade *those* papers), I’ll listen to This American Life or RadioLab podcasts, brushing up on either quirky stories about people, or interesting science-based tales. If I get bored with that, there’s always the NPR on the radio.

What do you like to listen to when you create?

WIP Wednesday

I went to see my mother and father over the weekend, and it’s taken me until now to catch up.  The visit was well worth it, however, as there’s always something interesting and unique that’s happening at their house.

Like Dad’s painting of the Sideways Man in his painting studio.  My father keeps a journal of his inspiration and creative journeys, and this was inspired by an advertisement in the New York Times for a series of lamps–a woman was lying down underneath the hanging globes.

And fragrant lilacs in bloom. I grew up with these flowers and they are some of my favorites.  Only certain varieties will grow in our quasi-desert climate. The bush I planted once was not one of those varieties.

Scenery from a mountain trail just behind their house.

Still working on my EPP Rose blocks.  This is the fourth one and I’m almost done.  (That’s why it’s known as  Work In Progress.)

My mother showed me a quilt shop I never knew existed in their town.  Gardiner’s Quilt Shop, and look for a post on it later.  I guess I’ve forgiven Kate Spain, because there’s some of her fabric at the end–those gorgeous flowers in periwinkle and blue.

This is a new project, to sandwich in between the grading of my last two papers (research papers come in on Monday!), making the back for Scrappy Stars and getting that pinned as I’m pretty sure I want to quilt it myself.  This summer.  After school ends.  And Jury Duty (yes, the week after school gets out).

My son and his family went to Hawaii and they were smart folks and DIDN’T bring me back a T-shirt.  Instead Kristen spent “about an hour in some shop,” according to my son, and picked out these bundles of fat eighths for me to enjoy.

A veritable Hawaiian garden growing up in my fabric stash!  Thanks!

And many thanks to Lee, of Freshly Pieced Fabrics for hosting this WIP Wednesday, a weekly event in my life, reminding me I DO know how to blog and write and talk quilts. Head back over there to see what everyone else is working on.

Happy Quilting!

Pieces to Scrappy Stars

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I finished the first gift–a pillowcase for my son Chad who is always traveling. Because of the London Olympics this year, there is lots of fabric with British themes, and the whitish area has a map of the London tube system.. The black fabric is a piece I picked up in NY when we were there last fall– and met Chad for a day of touristing around. (Chad is the little tyke in the last post.)

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I wanted to show the pieces I used in Scrappy Stars. They are all a variation of that diamond.

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I copied off extra diamonds and added seam allowances to make these extra pieces. For the half- diamond insets in the red inner border, just fold the diamond in half and add some seam allowance.

I’m waiting here at the airport, waiting to take off to see my parents in Utah, and am posting via my iPad. Have any of you converted to this device? Do you find the posting tedious or convenient? I did pick up a gizmo that allows me to upload photos from my camera. I showed my son while we were at lunch and he said, Oh yeah. I have one of those! Why is it that I always feel about two skips behind everyone else? Story of my life.

Have a great weekend!

WIP–Happy Birthday!

First off, let me say Happy Birthday to my son, Chad.  He’s grown into quite the man, with a wife and boys of his own, but I still think back to the days when he was my little boy.

And secondly, let me say thanks to Lee, of Freshly Pieced Fabrics who is hosting this WIP Wednesday.

Third, here’s what I’m working on: finishing up Scrappy Stars.  [Scroll down to the earlier post for the gory details of this quilt top's finish.]  I’m planning the back, trying to decide if I want to quilt it, or if I want to take it over to my quilter.  I already know I’m binding it in that Quilters Linen fabric–I have some saved.

Other Random Thoughts:
Need to sew three gifts for three different people
It’s end of semester wrap-up with my English class (Research Essay, an in-class essay, and some odds and ends of grammar)
Thinking about summer sewing: what do I want to accomplish?
Eyeing the teetering stacks of fabrics shoved in neatly arranged in my closet
Realized I’ve not made one Cross-X block at all this spring
Nor the planned Sol Lewitt quilt
Haven’t finished that second skirt that I wanted to make
I’m not even going to look at the garage
The new apps for the iPad have been purchased, but I haven’t had time to learn them (couldn’t we use some owner’s manuals about now?  Why is it that only cars get to have them?  And obvious things like toasters?)
Planning which book to do first for the Cindy & Elizabeth Book Stash
Thinking about my gingham quilt–for the Krista & Elizabeth Summer Gingham Quilt-A-Long (go get your gingham if you want to play)

And finally,
Doing the Scrappy Stars quilt has taught me that I need to think more carefully about what I want to work on.  If I were a young quilter, the universe of quilts would stretch out before me and I wouldn’t have to prioritize.  But one of the frustrations of the Scrappy Star was the time limitations.  We always have fabric limitations, I know, but I was ready to be done with that thing long before it was to the “done” point, and was getting cranky at how much time I was spending spinning my wheels, going nowhere.

Time can be a friend or foe, and it’s not like I’m going to kick the bucket here anytime soon, but I’m just saying that the perception of limited time is something I think about, and have heard echoed in other quilters’ blogs. I remember when Chad was little, the children tick-tocked my day away, then they grew and were gone.  Now my day’s clock is driven less by external forces than by the realization that the day seems to slip away too quickly, and I’m once again, crunched for time.

Scrappy Stars Saga

So I left you all when I thought I had the answers to the Scrappy-Star-conundrum with the Japanese fabrics.  Nope.  Discouraged, I headed to a quilt shop, where  guess what–out of all of the fabrics we tried, we liked the stars on some red Quilters Linen fabric.

Like I said, it seemed like the answer. Here’s some pictures of the process I went through.  I was happy with the red, as it acted like a solid, but still wanted to beef up the quilt with pattern and texture, a la Material Obsession quilt shop in Australia, as I love looking at their quilts.

Now I’m trying to add in those fabrics.  As you can see–it’s not working.  Again.  This is when I wrote the blog post on Struggle, appreciating Robert Penhall’s quote particularly.

Auditioning, Take Two.  I realize that photographs flatten out what’s going on, but as you can see, what was going on had problems.  I came home right after school, took an Internet Sabbath, and worked steadily on sewing together the center section.  When my husband came home last night, he kissed me hello and asked me how my day was.

“I hate my quilt,” I said.

After dinner, we went up together to look at the disaster quilt.  We talked, and I felt like a balloon deflating.  The view evolved as we tried different things, talking and talking, but really the quilt just has so much going on.  Like I’ve said before, I was trying to take Cinderella to the Prince’s Ball, and she really just want to go out for a burger and fries.  We folded back the end stars, took down some of the wild fabrics, paring it down.  I felt as if the quilt had beat me, as if I had caved.  But burgers-and-fries it was going to be, no matter where I wanted to go.

Cutting off of the side star.  I unpicked the center so I could save two of the star points for another project (like I ever want to tangle with this one again!).  I finished sewing the center all together, smoothed it up on the wall, and went to bed. In the morning, the pared-down quilt, white on the wall, greeted me and I chose the tomatoes on yellow for the inner border and auditioned the outer borders:

I guess I don’t feel defeated anymore, just happy it’s to this point.  I wanted that sophisticated, interesting quilt, really I did.  But what I have instead is a bold graphic set of stars, demanding un-adornment, insisting that the rest of the crowd pipe down so they can shine.

There’s a great children’s book titled “Babe, The Gallant Pig,” which was made into a movie.  At the very end, the farmer looks down at Babe, his pig, and says “That’ll do Pig.  That’ll do.”

That’ll do, Scrappy Stars.  That’ll do.

Struggle

Three quotes for tonight, as I work on my quilt:

When I am halfway there with a painting, it can occasionally be thrilling… But it happens very rarely; usually it’s agony… I go to great pains to mask the agony. But the struggle is there. It’s the invisible enemy. (Richard Diebenkorn)

You should see me when they [the paintings] don’t work out. I won’t leave until I can get them to a point. Sometimes it’s a struggle, and I’m sweating, I break out in sweat. This whole idea of the euphoric artist in the studio… painting can be that, but it sometimes isn’t, it’s a lot of work. (Ross Penhall)

In Italy for thirty years under the Borgias they had warfare, terror, murder and bloodshed but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love; they had five hundred years of democracy and peace and what did they produce? The cuckoo clock. (Orson Welles)