Baskets Finished!

Basket Blocks Quilt Top

You know, I think I have had more fun with this little quilt than I have in a long time.  Of course, maybe the fact that last Monday I taught my last class of the semester may have something to do with it.  (At church this past week, I was flanked by two K-12 teachers from two different districts, and they knew practically to-the-minute how long before school let out for the summer.)

Baskets wo border

Here they are without the borders.

Border Try One

The suggestion I’d seen for a border was a piano key border, so I whacked up a bunch of 6″ wide, random-width strips and put them together.  I just couldn’t figure out why I didn’t like it.  I thought it was the fact that there were a lot of light-colored pieces in there.  So I ripped all the borders apart (which is why I have a photo of only one border–on the bottom) and took out the lights.  Still didn’t like it.

I had this older piece of blue fabric laying on the board so I could cut it up for darker “keys” for the piano key border, and pinned it up to the quilt and liked it!  Not quite enough, so I pieced in some random pieces to hint at the idea of a piano key border, and went with it.

Baby Baskets

Tutorial for the big baskets is *here.*  Tutorial for the baby baskets is in the next post.

Pineapple and Crowns–Blogger’s Quilt Festival

AmysCreativeSide.com
Pineapples and Crowns_lounging around
Pineapples and Crowns, 61″ square
Pineapples and Crowns_front
I am entering in Amy’s Blogger’s Quilt Festival, and I apologize for my regular readers who have already seen this quilt.  But she requests a blog post written the week of the festival, so as some one who is totally rule-bound (*cough, cough*) I am writing a new post.  The original post is *here.*
Pineapples and Crowns_front iphone
The inner pineapple blocks were made for me by two sets of bees, but the outer border, of the pineapple crowns is all hand-appliqued.  I went back and forth between all the categories, looking for the “mixed technique” category, but finally entered it in the appliqué category, if you want to help this quilt become a winner–that’s where to go (*shameless plug*).
Pineapples and Crowns_detail1
It could have gone in “scrappy”  or “large” for just like our children, we can categorize our quilts as one thing or another, depending on if they’ve kept us up all night, sick and crying, or if we see them decked out in their Sunday best, playing the timpani drums at the end-of-school concert, like my eldest granddaughter just did. (Way to go, Keagan!)
Pineapples and Crowns_detail2
But, as always, the best thing to call quilts is done, ready for display or enjoyment or to take to a botanic garden and take pictures of them, which I did recently.  I love the mix of scrappy white-background fabrics and the rainbow of brights.  I placed warm bright petals in the outermost border, and cool petals in the inner border.  It’s not really noticeable overall, but I needed to organize these blossoms somehow, and I chose to do it with color.
Gazebo with two quilts
I hope you’ll take a few minutes and head back to Amy’s Blogger’s Festival to see all the other terrific quilts that are showing up there, and to vote for your favorite in each category.  The voting begins May 22nd, and you can also vote for Viewer’s Choice as well.  Enjoy the online quilt festival!

Colorwheel Blossom–Blogger’s Quilt Festival

Colorwheel Blossom_front

Colorwheel Blossom, 48″ square

AmysCreativeSide.com

Welcome to the Blogger’s Quilt Festival!  I’m entering ColorWheel Blossom in the ROYGBIV category of Amy’s online contest.

Colorwheel Blossom_quilting detail

Colorwheel Blossom_quilting

 The original finished blog post is *here.*

Colorwheel Blossom_quilting2

It took me forever to find the right colors for the center of the blossom, and I haunted several quilt show booths, combing through their Kona Cottons to find just the right shades, then visited Purl Soho–Irvine to get the right inner petal shades.  I appliquéd it to the white background, and then it took me several months to get up the courage to quilt this.  I settled on a curvilinear emphasis in the middle field and an angular emphasis in the borders.

It now hangs in our hallway right by the front door, a rainbow greeting all our guests, lighting up our home.

Thanks for stopping by to see Colorwheel Blossom. Be sure to head back to Amy’s Blogger’s Festival to see the rest of the quilts, and to vote for your favorites!  Voting begins May 22nd for each category, as well as Viewer’s Choice.

Wonky Basket Blocks Tutorial

Wonky Baskets MCM

Carla, of Grace and Favour, asked us to make Wonky Baskets for her bee month for May 2015  Mid-Century Modern Bee.  She sent us some photos of examples of Gwen Marston’s Liberated Baskets and gave us instructions to make colorful baskets with contrasting handles.  I just found my way to completion.  I thought I’d share how I proceeded.

Wonky Baskets_nine

This is a result of the process called “Grading Avoidance.”  (My final papers just came in and I run upstairs in between each paper and play with the cloth to get my brains back.  It’s a skill I’ve learned since becoming a professor.)

Baskets Quilt

Carla’s request reminded me of a quilt I saw last summer in the Springville Art Museum, Going to Market, by PJ Medeiros (quilted by Amity Golding).

Baskets Detail

I liked all the different-sized baskets, so I drew up this sketch:

Wonky Baskets_size options

Wonky Baskets_pair up fabrics

I then pulled up a bunch of two-fabric combinations and laid them all out on my ironing board, and started to cut.

Wonky Baskets_cutting

Wonky Baskets_cutting2

This is how I assemble the basket part, beginning with the bottom piece (or base piece).  I lay the basket piece on top, about 2″ from the edge, and placing the ruler at a slant, I cut through both the LEFT base and the basket pieces.  Shift the basket piece to the left so it overlaps the righthand base piece by about two inches, then lay your ruler down on a slant, and cut through both pieces.  I show you how it looks once you are finished (above).

Wonky Baskets_ready to sew

Pin and stitch, then press towards the basket.

Wonky Baskets_cutting3

Lay the upper piece and the newly constructed basket bottom piece together, then measure about 11″ from where you will cut the base; place a pin.  This is the outer boundaries for the handle.

To make the handles, cut a bunch of bias strips anywhere from 1 -1/4″ to 1-1/2″ wide.  Fold in half, wrong sides together, long cut edges aligned and stitch a narrow (1/8″ seam).

Wonky Baskets_bias pressing

I have these bias strip press bars that help me with the next step: I slide them in, wiggle the seam to the middle back and press.  You can just do this with your fingers on your ironing board.  Try really hard not to stretch out your bias.

Wonky Baskets_sewing handles

The above weensy picture (click to enlarge) shows me 1) auditioning bias strips for the handle (I have a bunch to choose from ).  Go to the ironing board and press, with steam, a curve into your handle, then pin it on (photo below).  It’s better to think about easing in the inside curve, rather than stretching the outside curve, but truthfully, both happen at the same time.

Then back to the above photo: 2) stitch on the handle, doing the inside curve first, then the outside curve; 3) handle stitched, and finally 4) the seam between the upper and lower parts are stitched and trimmed.

Winky Baskets_handle pinned

Wonky Basket_final

For the final press, press seam toward basket so the handle will look like it’s coming out of the basket.

Wonky Baskets_stacks

I cut and stacked a bunch so I could slide up here between grading and sew a couple.  Bias strips are in the front.

Wonky Baskets_ten

And now I have ten!  You can see I’ve made one of them bigger.  I also have a couple of midget baskets ready to make, too, to even out the rows.  I’m just making them–I’ll figure out how to put them into a quilt later, after these last essays are graded, the final given and grades assigned.  A perfect summer project, I think.

Sentimental Journey: Bee Blocks for the Mid-Century Modern Bee, part 1

Cindy, of LiveAColorfulLife, called me up one day and said she had a great idea and a great name for a bee: Mid-Century Modern Bee, and that everyone had to be at least mid-century in age.  Maybe it was the exasperation I felt that all the newbies were claiming invention of tried and true blocks and methods, or that I was ready for another bee, or that Cindy’s charm could not be turned down, but I jumped at the chance to be a part of this new group.

We’ve been going strong for three years, so I’m dividing this post into parts, and am grouping them by the participant, rather than going through the calendar years.  We now have a blog, courtesy of Susan and PatchnPlay, so I guess you could say we are all grown up.

I wanted a place where all our blocks, quilts, and tutorials could be listed; you’ll find links to many tutorials of these blocks, so have fun browsing.

MCM_Timberlake1The first project we did was Carla’s Church Dash quilt, with the tutorial found *here.*  The next year, Carla (Lollyquiltz) had us make another block churn dash block for her, and the beautiful quilt above is the result.

MCM_Timberlake2

Carla is still working on this year’s batch of blocks, a birthday cake block using *this* tutorial.  This bee also does signature blocks, which I love, and you can see the array at the top of her pin wall.  My birthday cake block is the blueberry with mint filling, as one of the fun things she had us do was list what “kind” of cake we would make for her.  If you use the tutorial, remember to set your print scaling settings at 100% so your block will be 12″ square.

MCM_Wiens Bird in Air

Cindy thought for her first turn, she would do the Winged Square Block with the tutorial found *here.*  When I sent around the letter asking for photos of blocks/quilt tops/quilts, she sent me a photo of all the blocks together.

MCM Wiens Block Spiderweb

For her second round, she fell in love with Rene’s spiderweb block (another member in our bee) and decided she wanted one too.  This became common–we are so well matched that we borrow ideas for each other regularly, tweaking them slightly.  We used *this tutorial* for these blocks.

MCM_Wiens2

2015 MCM March w0 label

Using *this* tutorial, and again borrowing from Rene’, Cindy went with a rainbow Dresden plate, with a black and white center.  Unlike the Always Bee Learning Bee, we make from our stash, not sending out fabrics to each other.  It is fun to see how many of us have the same fabrics.

MCM-Wiens Dresdens

Her last request was matched by another bee she is participating in, so her design wall was flooded with circles.

MCM_Jeske1Debbie, of A Quilter’s Table, asked for a variation of the Hugs and Kisses Block, but done in soft hues and colors (aka “Low Volume”).  Her stunning completed quilt, above, titled Common Affection, has gone on to be published and to win ribbons.  I love that blue wall, as it really shows off the low volume fabric choices.

MCM April 2014_2

Debbie’s next block (in 2014) was a pair of rolling diamond blocks, from *this tutorial.*

MCM April 2014_1

14397049310_7d0c412d3b_o

Here’s all the blocks together.  She’s going to make a few more to even out the quilt.

MCM_Martinez Spider WebRene’ of Rene Creates, and who inspires many of us with choosing blocks, asked us for a spiderweb block (tutorial link found above), but in scrappy fabrics. She made this cool quilt with the colors moving all around–a real scrappy treat.  She took it with her when the family did Christmas photographs together; I love the setting.

dresden plate_OpquiltHer 2014 block was this cool-in-blues-and-greens Dresden block (tutorial listed above). Rene's dresdens

She laid them all out on her bed to show us how they looks together.  Because of different printing sizes, they range from smaller to larger.  She plans to place them scattered across a solid background for her quilt.

MCM_Russell House blocks

Deborah, Simply Miss Luella, asked for house blocks, and here are a few.  Mine is in the upper left; link to the blog post about it, with the pattern is *here.*  You can find her on Instagram.

MCM January14 Block

I made this house for Linda, drawing from my collection of free house patterns that I had worked up for my in-town sewing group. The reason she asked for houses, is that her house burnt to the ground, and she lost everything shortly before Thanksgiving of the year she was with our group.  We all made houses, our hearts going out to her as she worked hard to rebuild her life.

(to be continued)

Sentimental Journey: Bee Blocks for Always Bee Learning

AlwaysBeeLearningbuttonI saw a notice on IG one day, with Megan saying that she had room for another participant in her bee.  I jumped at the chance to be with such illustrious quilters, and they gracefully accepted this newbie.  This bee sent out their fabrics to everyone, so we would get a little packet of fabrics with directions, then we’d sew it together and send it back.  Only once did I worry about running out of fabric, and once, when I screwed up a block, I was relieved that I had similar fabric in my stash.

I grow rather attached to the bee blocks I make, even the ones that give me fits.  I always feel badly when the blocks aren’t just so, and given the number of notes I’ve received on my bee blocks from others saying the same thing, I know I’m in good company.  So I got to wondering one day: what ever happened to the bee blocks I’ve made?  I sent out emails and I’m happy to show you what I’ve received in return.  If they recipient hadn’t made it up into a quilt, that was not a problem; some sent a picture of a grouping of blocks.  If that wasn’t sent, no big deal. I guess I just wanted a final wrap-up post about my time with this bee.  This bee was on their third year, so it disbanded after my final block, but it was fun bee-ing in their company.  

The following blocks/quilts are in no particular order:  

ABL April 2014_Smith

We made ogee blocks for Mary’s turn.  One of the hallmarks of this bee was to always be learning, so a lot of new techniques were tried.   This one was curves in a Drunkard’s Path block, that when assembled makes an Ogee Block.

ABL Aug 2013_Evans

This was the first set I made, and Megan requested arrow blocks that turned every which way.

ABL Feb 2014_Kill

Hettie sent us directions for Hobo Quilt Blocks, and everyone’s was different; it was to be a quilt for her sister, who was graduating with a PhD.

ABL Jan 2014_Lovelady

Toni’s Christmas spiderweb blocks were really fun to make, and I love the fun holiday quilt that came from hers and our efforts.

ABL June 2014_JohnsonCeleste added to what we sent of Bonnie Hunter’s Boxy Stars, and made two quilts for charity.

ABL June 2014_Wardwell

Kristina asked for Sparkler Blocks, a pattern by Lee Heinrich.

ABL May 2014_JeskeDebbie sent us the link to make these half-square rectangles, and turned them all on their sides to make her Ziggity-Zag Quilt.  This was a good challenge to make sure the angles went the right way.

ABL Nov 2013_ChahleyLeanne walked us through making perfect points for her Ocean Waves block. I didn’t get all of them perfect, but her finished flimsy is wonderful.

ABL October 2013_RuyleAnything that Stephanie conjures up is going to be great, and although I fretted over these blocks (as I worried about running out of fabric and really worried that my finished product was only “pretty good” in my estimation), I love her finished quilt, titled One of these blocks is not like the others.

ABL March 2014_Debetaz

Marci’s Modern Maples were fun and fast, with interesting fabrics.

ABL Sept 2013_Dietrich

The last bee blocks in this lineup are Michonne’s.  The lovely story about this is after I sent around the emails last month, asking for photos of either the blocks together or a the quilt/top, she hurried and finished hers so I could post it here with the rest; it looks terrific!  And what did these beemates make for me?

Pineapple Block August ABL

 Pineapple blocks.

Pineapples and Crowns_front

I really enjoyed seeing all these blocks and quilts together.  Thank you everyone!

 

[in Just-], Deconstructed

 

4-in-art_3buttonin Just_in the garden

Yesterday, I revealed my quarterly art quilt challenge, and as is my usual, this post is about some of the how-to’s.

in Just_1

When trying to think about how to illustrate this poem, I kept thinking of all the pictures I’d taken in Washington DC during cherry blossom season and was thinking that they might work for this.  I first searched for a picture of a balloon seller, and found an illustration from what looked to be c. 1950s, perfect for I wanted–a nice, clean interpretation.

Photoshop Balloon Man Poem

This is a composite of several photos; I added in the balloon man last.  I saved all this (multiple times) and then started to prepare my fabric.  I wanted to use the Bubble Jet Set again, like I did for an earlier art quilt (more info *here*), so soaked my Kona white squares and hung them to dry.

in Just_2a

I ironed them to freezer paper, then tried to feed them through the printer just as they were.

Biff_1

Fail.

in Just_4a

So this time I trimmed down the edges and taped it to a piece of cardstock on three edges and then fed it through the printer (I have a flow-through feed path, but I have done in those printers that do a U-turn).  Success.  I didn’t care that the image was a bit wider and spilled out onto the tape, as I knew I was going to sew fabric strips around the edges.  I let it sit for 30 minutes.

in Just_3

The other part of using Bubble Jet is to rinse the printed fabric in their Bubble Jet Set, so after waiting the allotted amount of time, I rinsed the printed images, and hung them to dry (below).

in Just_3b

in Just_4b

I’d printed two different versions of the balloon man.  One with all full-out color everywhere, and one where I had lightened the background by about 30% to let the man and the children pop out a bit more.  That one worked best for fabric.

Contrasting Balloon Man Pix

On the screen, they don’t look too different (lighter background is on the right).  But my husband said the full-color print was “all a bit much,” language for toning down one part of the picture so that the other could shine.  He liked the difference.

in Just_5

in Just_5a

I cut the strips 1 1/4″ wide as I wanted a narrow range of gradated colors.

in Just_5b

Strips on.  I made it a wee bit bigger than our 12″ so when I sew all four of these together at the end, I’ll have room to maneuver.

in Just_6a

I drew out the balloons on some waxie paper squares that they use in delis. I’d purchased a big box ages ago and I use them to try out quilting ideas.

in Just_6b

I tried drawing it on with a white pencil, but it didn’t show very well, so I just pinned on the waxie paper, and kept flipping it back and forth.

in Just_6c

If you read the post about the quilt and the meanings of the motifs, you’ll know why these balloons are here.

Biff_2

I like to attach the label before the reveal date.  On this day, my father was going into surgery for a broken hip.  He fell when he was hanging a painting in his art studio.  Did I mention that he’ll be 90 in December, and is still a source of inspiration for me–still going down to his studio to paint daily?  But today, while I thought about him, I couldn’t make the labels at all–something I usually can do in my sleep.  The middle shows the label. . . printed on the freezer paper backing.  Next.  The righthand side shows the label when I forgot to print only the first page, plus I obviously put the fabric down too low and it printed partially on the masking tape.  I finally got it the third time.  He had his surgery, and is fine, but to say I was feeling a wee bit distracted and out of sorts would be an understatement.

Spiffing up Other quilt

Now I’m thinking that the other quilt needs to be spiffed up with a photo or two.  I need to get those woods darker and deeper, but will have to think about how to do this.

PostscriptI always enjoy trying to interpret a theme or an idea in these little quilts, but there are some days I approach the task kicking and screaming.  It’s always soooo much easier to just pick up a block or two, start whacking away with my rotary cutter and tada! a stack of blocks is sewn and done.  It is harder to take the time to think about what I want to say and how to say it.  It’s on days like that I’m keenly aware that I’m not an fine arts artist like my sister Christine, or my father.

However, I’m my own kind of quilt artist, and I choose to keep doing these little art quilts because it stretches my brain and pushes me to explore new techniques.  Everyone has to find a way to keep growing in their quilting, otherwise we become stagnant and stale and slip out of the conversation.  For me, this is one way to remain in the stream of creativity, and I’m always glad to have these art quilt challenges come around again.

Many thanks to the other quilt artists who participate–they inspire me!

[in Just-], a Four-in-Art Quilt

4-in-art_3

For those of you who are avid English Paper-Piecers and are new followers, welcome!

in Just_in the garden

[in Just-]
#2 in the Literature Series
Quilt #147

Continuing our theme of literature and my personal love of poetry, this is the second in a series of four art quilts for this year, a collaborative effort by the Four-in-Art Quilters, a name chosen because we do four small (12″ square) art quilts per year.  For this quarter, I chose e.e. cummings’ poem “[in Just-],” a poem about a balloon man selling balloons in Spring.  I’m also following a seasonal theme, as the last art quilt focused on Winter.

in Just_front

e.e. cummings’ poem appears on the surface to be a simple sensory poem about “when the world is puddle-wonderful” and “bettyandisbel come dancing / from hop-scotch and jump-rope.”  It’s a world where the wonders of childhood dominate, from mud, “piracies” and “marbles” to  the sight of a balloon man with his wares to sell to the children.

in Just_in the vines

But in the last stanza of the poem, the capitalization and descriptions change.  The “old balloonman” becomes the “goat-footed balloonMan,” with his whistling pipes and inferences of Pan, a somewhat lascivious ancient god who is half goat, but has the reputation of pursuing the women.  Suddenly the poem changes, the games of childhood left behind as Pan brings different games to “eddieandbill” and “bettyandisbel,” games from which they will never stop playing.

Balloon Man

(detail of center panel)

When this version is presented by my students to the group (they each have to choose a poem, analyze it and present it), there are some groans, as in, “can’t this just be about balloons and spring and mud and marbles?”  Yes, it can.  But perhaps e.e. cummings is trying to have us look at two spheres at once: childhood and adulthood, and that razor-thin edge where we cross over from one into another.  We then have an interesting discussion (all very G-rated) about when they felt they crossed the dividing line from childhood to adulthood, and the answers vary from when I got my driver’s license, to when I first kissed a boy, to when someone left home, to when they had their first jobs and bills and live-in girlfriends.  And so it goes.  The balloons of childhood escape from our hands into the heavens, and we can never get them back.

Two Art Quilts

I plan to join all the quilts together when I’m finished; here are the two I’ve completed thus far.

in Just_back

[in Just-]

in Just_labelI can’t believe I left off the author’s name, so I hand-wrote it in.  There will be a final label when all the four quilts from this series are joined, so I’m just not going to worry about redoing it right now.  The “Deconstruction Post” will be next, with some info about how I made this quilt.

Tiny Nine-Patch

About Us: We live all over the world, from Scotland and Australia to the continental United States.  Our blog is *here.*

Please visit the other Four-in-Arters, and their quilts around this theme:

Betty May 2015Betty at a Flickr site: http://www.flickr.com
Catherine May 2015
Catherine  at Knotted Cotton
Jennifer May 2015
Nancy May 2015
Nancy at  Patchwork Breeze
Rachel May 2015
Simone May 2015
Simone at Quiltalicious
 Susan May 2015
Susan at PatchworknPlay
Tiny Nine-Patch

Circles Block #11–EPP Sew-A-Long

Circles EPP Button

Circle Block #11_OPQuilt

Circle #11: Vintage Test Pattern

This is the eleventh block in a series of twelve circle blocks, conceived and created when I needed another hand-sewing project, and wanted something beyond hexagons.  I had several sources of inspiration for this one:

Vintage TV Test Pattern

TP-WABCcolor

2012-Ma-June-044

1960s-Color-TP-v1As a child, I remember these “television test patterns” on the tube when I’d get up too early, before the station had signed on.  And I liked the Greek Cross reference, too, since many of these circles were designs taken from a Greek Orthodox Church in Ljubljana, Slovenia (from our vacation last year).  So I give credit to both sources of inspiration.

I have been giving away these patterns for free, as I want to share my designs for anyone else who wants an interesting pattern to sew up on those days you are too tired to do anything but watch a good movie, and do some stitching.  But Please: do attribute the source of this to Elizabeth at OccasionalPiece-Quilt  (or OPQuilt.com) and do not print off copies for your mother or your friends.  Please direct them here to get their free copies.  Many thanks.  Here’s the pattern in a PDF file for you to download: EPP #11_OPQuilt_Circles.  Print off four copies and cut out, but you only need one circle.

Printer Settings block 11

Please make sure your printer settings are set to a 100% scaling, as shown above.

Circles Block Eleven

Here’s the circle drawn up in my quilt software.  I’ve taken to printing out this little color drawing and putting it in a small bag with all the glued-up pieces.  I like referring to the drawing as I work.

Circles 11_1Choosing Fabric

Picking fabrics–I always lay them out.  I jumped the gun and cut the cross-bars early, as I have another circle with that fabric and while I wanted these circles to be different from one another, I still wanted them to be able to have a conversation, so I repeat fabrics here and there.  When you cut out your circle, I’d make it about 1/4″ bigger than it is. See Circles #10 for some tips on the circles.

Circles 11_2points layout

Once I got all the little points around the top of the circle printed out, I noticed that it would be hard to figure out where the “curve” of the triangle was, so I drew little arrows on every one of them.  As it turned out, I was okay about figuring out how they went, but if you think you might need the extra assist, do it now.

Circles 11_3glued points and raysKind of looks like a tomato with leaves.

Circles 11_4 pieces laid out

As is my habit, I lay out all the glued pieces for one final check before I start sewing them together.

IMG_4762

Then I loaded them all up in my little bag with the drawing and went outside to the patio to stitch, while listening to my audio book.

the-last-chinese-chef-cover

This time it was The Last Chinese Chef, and I was craving Chinese food by the time I finished listening to this.  But not Americanized Chinese food; I wanted the food in the book.

Circles 11_5 first units stitched

Stitch the upper row sections together, then the lower, then join them, keeping those seams aligned if at all possible.  Notice that I have not glued down the lower edges of the lower section to their papers (the innermost part of the circle), as I want to appliqué the center circle onto the piece, and it’s a lot harder if I’ve folded the edges and glued them down.

Circles 11_6 more bits laid out

Then, line up four green triangles with their curved edges at the bottom, and the points that go in-between them (three pieces). Lastly, lay the half-triangle on each side.  NOW sew them together.  You don’t want to be sewing on a full-triangle on those outer edges, like someone else I might just know.

Circles 11_7 crown stitched

When sewn together, it should look like this.  It’s now after dinner and I’m inside, still listening, but sewing by lamplight, instead of by sunlight.  I couldn’t stop listening, nor stop sewing.  These get addicting.

Circles 11_8 crown onto first unit

Join a checkerboard unit to the triangles unit.

Circles 11_9 rays to first units

Then stitch one of those ray-sections to the checkboard units, making sure you are attaching it to the same side on all four units. In this photo you can clearly see the raw fabric edges of the lower checkerboard pieces.  Sew together two of these units, then sew those two units together to create a full circle.  At this point, you can remove all the papers, except any that are at that outer edge.  If the papers are hard to slip out because they are glued, use the tip of your small scissors or a stiletto to loosen the fabric (so you won’t have to tug and pull).

Cut a 14 1/2″ square of backing fabric.  Yes, it is bigger than the circle, but I want to make sure I have enough to work with when I figure out how I’m setting all these together.  (I have no clue at this point!)  Now it’s decision time.  This version, with the red rays arranged North-South-East-West, or. . .

Circles 11_10 OPQuilt

Circles 11_ 10aAlternate Circle. . . this version, with the rays arranged like a flower?  I marked the centers of my large backing square, and set down the circle, pinning it for appliqué.  I went with the traditional version (North-South-East-West).

Circles 11_11 OPQuilt

Cut away the backing fabric, leaving a 1/4″ seam allowance. I love these little Karen Kay Buckley scissors, as the tips have little teeth that grip the fabric, holding it while trimming even the smallest bit of fabric.

Circles 11_12 OPQuilt

Pin on, then appliqué the center circle.  See Block #10 for some appliqué tips.  I should have placed that “weave” pattern aligned straight up and down, but instead I just slapped it on.  As a result, I always want to tip my head to the side when looking at the center circle.  I’m sure no one else will notice (well, now you will) so I’m not redoing it.  Keeps it real, keeps it interesting.

Circles 11_13 OPQuilt

Remove all the papers, and admire your work.

Circles 11_14 OPQuilt

Circles  All Eleven by Ironing BoardHere are they all are, lined up on an ironing board that is obviously used for other things than ironing.  (Anyone else have to clear off their ironing board in order to iron something?) I think they do play well together!  I’ll post the last circle at the beginning of June, and then hopefully, the quilt setting on July 1st.  I’m posting this circle block a wee bit early as we have our Quarterly Four-in-Art Reveal in two days, on May 1st.

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I hope you’ll join me then for our little gallery of art quilts!

Sing A Song of Sampler Blocks

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Sing A Song of Sampler Blocks
Pieced, Appliquéd and Quilted
57″ high by 53 1/2″ wide
No. 146 on my 200 Quilts List

Sing A Song of Sampler Blocks_1I went up to my university’s botanic garden to photograph these two quilts, loving the contrast of the rustic against the brightly colored blocks from my beemates in the Mid-Century Modern Bee.

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I put out a call for a variety of blocks in 6″ or 9″ or 12″ sizes, and then as they came in, placed them all up on my design wall to see how they played together.  I used some of the ideas from these friends to create a few more blocks, following Carla’s lead when she created hers.  Like Carla, I also worked in the small signature blocks as part of the design.

Sing A Song of Sampler Blocks_front heroic

One day I opened a card from Rhonda, another friend back east, and she’d made me a bird block to be added to my project, as she had read my blog and wanting to contribute to my modern sampler.  So that spurred me on to making a few more birds as well.

Sing A Song of Sampler Blocks_detailThen I had to try some flowery blocks, two different kinds to go with all the other flowers, and a Dresden block, and once I got started, I also added a Road to California block (made four times so it would be big enough to add variety).  It’s kind of fun to try making all different kinds of blocks.  Finally I had enough, and the right size of blocks and I was able to sew it together.  Happily so, thinking about my good friends.

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I saved some of the smaller blocks for the back.

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Two quilts with flowers

Happy Spring!  Spring into some quilting!