Deconstruction of Shimmery Tunnel of Memories • Four-in-Art Feb. 2107

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This is the deconstruction post for my recent Four-in-Art Challenge of Shimmer.

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First off: what a lame title.  I had another name picked for this (“Multiverse Snapshot”) which is a much cooler name, but I’d forgotten that I had chosen it, and instead on the label put this blathery clichéed title.  Now that you know how I really feel about it, I’ll tell you how I put this together. (And no, I’m not making another label.)

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I wanted to recreate the little specks of light from Multiverse (see previous post), so cut strips of silvery metallic fabric.  This is leftover fabric from my friend Lisa’s American Flag project (a flag the size of a basketball court); she rescued me when I couldn’t find my own lamé in my sewing room. Just for the record, that stuff is a challenge to work with: the strands kept going off on their own, as you can see above.shimmerytunnel_2

I wanted the vantage point to be off the piece, so I drew a dot on a post-it note off the paper, but when that didn’t prove to be a far enough vantage point, I went further to the left, making the radiating lines in red pencil.shimmerytunnel_3

I had some strips of solids leftover from this quilt, and put them into use.shimmerytunnel_4

After sandwiching the silver/black fabric, I cut it into narrow strips.shimmerytunnel_5

I seamed a couple of those strips end-to-end, laid the resulting longer strip in the center, and chose a bright solid to lead off the piece, and stitched down one side.  I went back and forth between doing this piece in a series of gray and black fabrics vs. rainbow, but knew that I didn’t have a wide enough range to get the effect of Multiverse, so changed it up to a muted rainbow.shimmerytunnel_6

I pinned it on, flipped it over and sewed on the drawn lines, for the most part.  Sometimes I went narrower, but used these lined to keep the correct angle going.shimmerytunnel_7

A good beginning.  You can see by the red cast of this photograph that I’m sewing at night.

A lot of times I’m tired at the end of the day and don’t want to sew, but then I say: “What do I want to have done before I go to bed tonight?” and head back into the sewing room.  Often just working for ten or so minutes will engage me enough to keep going at it for at least an hour.

I was feeling a lot of pressure to get this sewn up ahead of time, because I knew that I would have had a surgery when this posted (it happened about a week ago: a repair to a severed tendon on my rotator cuff) and I knew I’d be unable to complete this, or any sewing at all, for some time.shimmerytunnel_8

But hopefully it will be good to get the pain gone (cause is referenced here) and my shoulder back in working condition.shimmerytunnel_9

I almost like the back better than the front.  If I had any creative guts at all, I would have gone with this.  My professor in my digital art class once told me: “You have a problem with tidiness in your art.”  Yep, I’m all about the tidiness, as long as you don’t look at my garage.  Or sewing room.shimmerytunnel_10

I stitched around the outside edge to stabilize it, and went to bed.shimmerytunnel_11

After thinking it over and drawing all sorts of fantastical loopy lines on scratch paper, I went linear, quilting on the cottons, not that silvery shredding lamé.shimmerytunnel_12

Done.

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I backed it with this new piece of fabric, “Dropping Seeds” by Roseanne Morton.  Okay, I want this fabric in ALL colors; it’s terrific.  I chose a simple black very narrow binding, and did my usual two squares-folded-on-the-diagonal-and-sewn-into-the-top-corners for how I’ll hang it.  (I put a dowel cut to size in those “pockets” and suspend the piece on a pushpin or nail.) Happy Shimmering!

Next quarter’s challenge, due May 1st,  is Light in the Darkness.

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Four-in-Art February 2017: Shimmery Tunnel of Memories

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Every time I head to Washington, DC and go to the National Gallery of Art, I head downstairs to go through this light insulation by Leo Villarreal, titled Multiverse.  The lights are static, then blinking, then shimmering, then moving and I never tire of it.

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Shimmery Tunnel of Memories, Quilt #177
Four-in-Art, Series Four: Light
10 1/2″ wide 16″ high

Our Four-in-Art art quilt group’s yearly theme for 2017 is Light, and our first quarterly challenge was shimmer.

multiverse_1Shimmer is best captured in movement, in seeing the light flicker and move and wink and flash, so it was a hard one to interpret in cloth.  But I had taken a snapshot of Multiverse on a trip to DC, and used that as inspiration for this challenge.

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I’ll do the Deconstruction on the this quilt in the next post.

Please visit the others in our Four-in-Art group, and see how they interpreted the Challenge of Shimmer:

Betty        Sun Shimmer, Filtered

Camilla         http://faffling.blogspot.co.nz/

Catherine         http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simone         http://quiltalicious.blogspot.com

All of our blocks are on our blog, Four-in-Art.

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Six Ways to Blue, Deconstructed

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This is a further discussion of the quilt I recently made for the quarterly challenge in our Four-in-Art group. I let this theme of “I’ve Got the Blues” simmer in my mind, thinking about all the blue connections, from mental health to water to ice to music and then just decided I wanted to explore that hue–just wanted to play with the shifting and changing of blues.

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I went to Nicole Dacksiewicz’ site, Modern Handcraft, to catch her tutorial for how to make this.  I’d seen the original quilt at QuiltCon and always always wanted to play with this.  She even shows you how to baste your hexies, so you can’t get it wrong.

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I used a 1″ hexagon, which yields a 2 1/4″ measurement across (we measure one flat side of the hexagon to get the name).  I searched for a free printing pattern, and found these tips for cutting out hexagons.  I used Geta’s hexagon sheet (had to give up my email to do it) and she was right.  Cutting out all those hexies did go quickly! (Sorry for the pink nighttime photo.)

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Then I started playing by pinning them up on my design wall so I could get perspective.

six-ways-to-blue_construction6I moved it to my work table and kept playing.six-ways-to-blue_construction7

When I was happy with it, I glued them down, following Nicole’s hints, and later went and purchased her pattern, as I like to donate to the talented designers who share their ideas with me.  One major tip from me is not to do it on your cutting mat, or you’ll have little bits of glue that don’t really scrub off, but doesn’t impact the use of the mat.  Maybe lay it down on some wax paper?   Guess how I know this.

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When the glue was dry, I layered the top up in a quilt sandwich, put a few pins here and there and drew in quilting lines with my Hera marker.  Another major tip I’ll pass along —  and why I want to re-do this — is I put the hexies too close together. I only discovered this when I started stitching. She suggests 1/4″ apart and mine are about 1/8″ apart.  Not all the hexies are perfect (because I am Not.A.Machine, she says, in her best robot voice), and by putting them so close together, and “outlining” them with stitching, it really plays up their imperfections.  I did, however, have fun stitching the straight lines, over and over, catching the corners and stitching in between all the hexagons.

I loved playing with the theme of the blues, and love my new quilt.  I made this one larger than the ones I’ve done in the past, and it measures about 21″ wide and almost 20″ high.

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Sunset in Kansas City, September 2016

Our next overall yearly theme is Light, and Catherine, of Knotted Cotton came up with our first quarterly challenge of Shimmer.  I already have an idea (I’m not telling) and am excited for this new year.

Happy Quilting!

[Note: The cute clothespins are from a shop in Copenhagen, called Notre Dame.  Link to the clothespins is *here.*  I wanted to carry home buckets of these, but alas, I travel with a small suitcase these days and could only bring a few.]

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Six Ways to Blue, a Four-in-Art quilt for November 2016

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Six Ways to Blue
Quilt #169, November 2016
19 1/2″ high by 21″ wide
#4 in the Color Series: I’ve Got the Blues

Blues can mean too many things, all at once.  Peacefulness, depression, sadness, the thrill of a line of music (a wailing saxophone), my favorite crayon in the box and the color of my husband’s eyes.  I could think of references to blues six ways to Sunday and never run out of things to link that color to: ocean, sky, geysers, crystals, ice, flowers.

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Blue also has a powerful connotation to mood.  The other day when I was feeling a bit blue, my blue-eyed son surprised me with a FaceTime call from London, just before he was calling it a day (having traveled through the blue skies and over the big blue ocean to get there). We chatted about his recent travels to Madrid, our travels to Lisbon last year, where we together with my blue-eyed husband saw the azulejos (blue and white tiles) of that country.  It lifted my spirits, and I was thankful for his true-blue devotion and caring.

The only ancient people who had the word blue in their vocabulary were the Egyptians, largely because they had developed a blue dye.  In 1858 a scholar named William Gladstone, who later became the prime minister of Great Britain studied Icelandic sagas, the Koran, ancient Chinese stories, and an ancient Hebrew version of the Bible. Of Hindu Vedic hymns, he wrote: “These hymns, of more than ten thousand lines, are brimming with descriptions of the heavens. Scarcely any subject is evoked more frequently. The sun and reddening dawn’s play of color, day and night, cloud and lightning, the air and ether, all these are unfolded before us, again and again … but there is one thing no one would ever learn from these ancient songs … and that is that the sky is blue.” (from here)

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Wikipedia notes that the clear sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. When sunlight passes through the atmosphere, the blue wavelengths are scattered more widely by the oxygen and nitrogen molecules, and more blue comes to our eyes. Rayleigh scattering also explains blue eyes; there is no blue pigment in blue eyes.

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We’re not the only artists inspired by the blues.

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Untitled Blue Monochrome (1960)

Yves Klein (1928-1962) was a French artist who worked with a chemist to create a startling Ultramarine Blue when he mixed powder with synthetic resin.  He patented this as IKB: International Klein Blue, and became known for his use of this color.

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When Klein came to California to work as a visiting artist, Edward Kienholz “gave him this kit as a welcome gift, providing Klein with tools to create…while away from his home studio.”  The valise, which has a tag that reads “resident of the universe,” includes “such things as a spray can of IKB paint, a page of instructions, [and] a jar labeled GRIT” (text taken from National Gallery of Art label next to painting).

“Klein’s attraction to blue was rooted in his belief that it was the least material color: ‘All colors bring forth associations of concrete ideas, while blue evokes all the more the sea and the sky, which are what is most abstract in tangible and visible nature.”

I love blue in all its variants, and enjoyed bringing the abstract to the tangible in cloth and thread.

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We will begin again next year with a new challenge, going on our fifth year.  We have people who join us, leave us, but a few of us keep going on.  Please visit the other members of our group and see how they interpreted this challenge:

Betty         on Flickr

Camilla         faffling.blogspot.co.nz

Catherine       www.knottedcotton.com

Janine      www.rainbowhare.com

Nancy         patchworkbreeze.blogspot.com

Rachel         rachel-thelifeofriley.blogspot.com

Simone         quiltalicious.blogspot.com

Susan         patchworknplay.blogspot.com

We also have a blog, Four-in-Art Quilts, where you can find us all.

FYI: The next post talks about the construction, the pattern I used, and the next challenges,
and why I want to make this all over again (because some parts really bug me).

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I do not know about, nor choose, the content, nor do I receive any money from these ads.
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Jill in the Pulpit: Four-in-Art Challenge • Aug 2016

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Jill in the Pulpit
Quilt No. 166, August 2016
#3 in the Color Series: Purple Passion

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I have no serious thoughts about the color purple even though there’s a novel with that title, and even though it has so many interesting connections (which were explored in my last post and which seems like it was written about a year ago, but really it’s only been several days).  Where do summer days go to?  To family picnics, visiting relatives, long interstate drives, trips, lounging around in hot weather cleaning house. . . the usual.  And then I had to ponder what I’m passionate about?  Quilting, for sure, so in the end, the reality is to Get The Thing Done, diving into my passion of quilting, but hampered by. . .

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. . . my shoulder going rogue, rendering me only a bit less helpless than the Black Knight in Monty Python, which is the standard by which we judged all injuries when raising the children.  Yes, “tis only a flesh wound,” became our rallying cry for getting up and going, and so I did, and got the quilt done. Cause? Pretty sure it was the cheap-o yoga class I signed up for early this spring, and couldn’t finish because of the pain. I’m sticking to walking.  Or sword-fighting.

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All the purples in my stash (with the exception of the Kaffes) were purchased about the time of the Knights of the Round Table — all plummy and grayish and dated — so while in Utah, I visited *this* shop and *this* shop, acquiring a few new fat quarters.

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Just before sleep one night, I sketched out an idea (top).  The next day I proceeded to massacre my idea (the rest of the photos).  Finally I decided that I should just slash it where it had problems and insert other fabrics, so I did, using *this video* for help in sewing curves.

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I line up fabric underneath the slash, position it, then move it about 1/4″ back from my imaginary positioning line, then rotary cut along the shape.  Stitch a 1/4″ seam. Press.

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Repeat with other side.

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Keeping the bag of frozen peas balanced on my “flesh wound,” I quilted this, stopping often to rest and ponder the state of the universe. . . or what I was doing.  I hate that I have a new quilting machine, and haven’t really been able to use it much.  “Soon,” my husband says, as he rubs my shoulder nightly and soothes my worries.  “Soon.”JillinPulpit_10

I whacked it here a little, there a little, turned it and whacked it again, until I got this ungainly flower-like thing quilt in a sort-of balance.
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Now you know why I named it Jill in the Pulpit.  It’s irrelevant whether you like the candidate or not, as the Big Deal is that we have come far enough to nominate a woman, and I thought that deserved some recognition.JillinPulpit_9

So there you go–my Purple Passion Challenge.

Please visit the rest of our group, to see how they interpreted Color: Purple Passion.  We also have a blog, Four-in-Art Quilts, where you can find us all.

Betty         https://www.flickr.com/photos/toot2

Camilla         http://faffling.blogspot.co.nz/

Catherine         http://www.knottedcotton.com

Janine         http://www.rainbowhare.com

Nancy         http://www.patchworkbreeze.blogspot.com

Rachel         http://www.rachel-thelifeofriley.blogspot.com

Simon         http://quiltalicious.blogspot.com

Susan         http://patchworknplay.blogspot.com